Catalog Search Results
1) Ruins rider
Pub. Date
2017.
Language
English
Description
Filmed in the lost territories of the Balkans, RUINS RIDER portrays the secret ruins that triggered trances over the past centuries. Using an array of hypnotic pulsating flickers, filmmaker Pierre-Luc Vaillancourt conceived an explosive kinetic experience. Accompanied by a powerful soundtrack by Marc Hurtado of the cult project Etant Donnes, RUINS RIDER is a visceral experience of hypnagogic archeology and raw energy.
Pub. Date
2014.
Language
English
Description
This collection brings together a unique group of avant-garde film works. Tearing apart the barriers between eras, borders and mediums, the viewing experience encompass a total experience of the unstrapped brain of subterranean luminosity and high voltage experimentations.
Author
Series
Pub. Date
2014.
Language
English
Description
'Damned If You Don't' is Friedrichs subversive and ecstatic response to her Catholic upbringing. Blending conventional narrative technique with impressionistic camerawork, symbols and voice-overs, this film creates an intimate study of sexual expression and repression. Featuring Peggy Healey as a young nun tormented by her desire for the sultry irresistible Ela Troyano. --Kanopy.
Pub. Date
2005.
Language
English
Description
This short film weaves an unexpected narrative from Hitchcock's trail of walk-on parts, in which the master himself is pursued by a number of shadowy doppelgängers, caught up in a world of mistaken identity. Playing out a multi-leveled 'reality', Grimonprez's cinematic twists and turns echo the trademark of the Master of Suspense, while radiating a quiet and beguiling surrealism reminiscent of that other great master, Rene Magritte.
6) Seeing red
Author
Series
Pub. Date
2014.
Language
English
Description
'Seeing Red' is the latest work from veteran avant-garde filmmaker Su Friedrich. In this, one of her most deeply personal films to date, Friedrich takes a look back at her evolution both as a woman and as an artist, tackling her own insecurities via several on-camera diary entries. While 'Seeing Red' is a film about the existential crises of the individual, it is also a film about what unites all humanity and what unites humanity with all the matter...
8) What I Will
Pub. Date
2013.
Language
English
Description
An anthropologist, who tries to decode corporate culture, gets obsessed with the story of a parachutist who died after his equipment malfunctioned. In the parachutist's finitude - caught in an ultimate meditative moment of plunging to an approaching death - the anthropologist sees a sudden and catastrophic voiding of the webs that hold and cradle us all.
9) A rebours
Pub. Date
2014.
Language
English
Description
Canadian Institute for Exploratory Cinemas presents this transgressive short film compilation. Conceived by the underground film society Cinema Abattoir, the A Rebours short film anthology convey the spectator side of experimental and avant-garde cinema.
Pub. Date
1924.
Language
English
Description
Ballet Mécanique is a Dadaist post-Cubist art film conceived, written, and co-directed by the artist Fernand Léger in collaboration with the filmmaker Dudley Murphy (with cinematographic input from Man Ray). It has a musical score by the American composer George Antheil. However, the film premiered in a silent version on 24 September 1924 at the Internationale Ausstellung neuer Theatertechnik (International Exposition for New Theater Technique)...
12) Anémic cinéma
Pub. Date
2024.
Language
English
Description
35mm 1.33:1 black & white silent 20fps, 6:40 minutes; production assistance Man Ray, Marc Allégret; new music by Gustavo Matamoros; preserved by Det Danske Filminstitut. Thought provoking and offensive are possible ways to interpret the ten optical discs and corresponding puns displayed in the film. The word play fo French syllogisms gleefully collides with the protruding-receding optical illusions of the rotating spheres. Julien Levy called the...
14) Evolution
Pub. Date
2024.
Language
English
Description
16mm 1.37:1 color sound, 8:01 minutes I try to leave the imagination of the spectator as free as possible by using purely invented, abstract forms rather than representational forms. In watching these films it is not necessary to search for hidden meanings or to try to associate these invented forms with familiar objects. The spectator may simply relax and look at the films as one would listen to music in order to fully respond to them. - _Jim Davis_...
Pub. Date
2003.
Language
English
Description
Adapted from a ten-part peephole installation, COWARDS BEND THE KNEE is "jam-packed with enough kinetically photographed action to seem like a never-ending cliffhanger. Set in a shadow-suffused hockey arena and a Mabuse-like beauty salon-slash-abortion clinic, the plot drips with Grecian formula, as sordid family secrets spawn unintentional murder most foul. Winner of the FIRPRESCI Prize at the **Rotterdam International Film Festival.** Nominated...
16) Thimble Theatre
Pub. Date
2024.
Language
English
Description
16mm 1.37:1 black & white with color tint silent 18fps, 6:07 minutes; completed by Lawrence Jordan; new music vintage circus organ; courtesy of Lawrence Jordan. Cornell's editing tactic is to seduce through the use of dislodged movie tropes. Hence the viewer is cut loose from any normal meanings to pursue the snippets of clips and fragments taken from long-forgotten obscure movies. One is encouraged to let the Cornellian montages wash over them in...
17) Manhatta
Pub. Date
2024.
Language
English
Description
Manhatta documents the look of early-20th-century Manhattan. With the city as subject, the film consists of 65 shots sequenced in a loose non-narrative structure, beginning with a ferry approaching Manhattan and ending with a sunset view from a skyscraper. The primary objective of the film is to explore the relationship between photography and film; camera movement is kept to a minimum, as is incidental motion within each shot. Each frame provides...
18) Love It/Leave It
Pub. Date
1970.
Language
English
Description
16mm 1.37:1 color sound, 14:07 minutes; music by Ray Whilding White; preserved by Chicago Filmmakers at Cineric, Inc. from camera originals and magnetic soundtrack with funding provided by National Film Preservation Foundation; courtesy of the filmmaker. The love of events that bring people together, revealing at once the absurdities and tenderness of the human comedy, plus a sharp eye for Americana, characterize and permeate the Palazzolo films....
Pub. Date
1970.
Language
English
Description
16mm 1.37:1 color sound, 11:46 minutes; music Bumblebees Sip Honey by Peliatan Gamelan; mastered from a composite print; courtesy of the filmmaker, Chicago Film Archives. DL2 reflects the influence of the American Bauhaus movement in Chicago introduced by Laszlo Moholy-Nagy during the late 30s/early 40s. The film was made by shocking 10-foot strips of unprocessed black and white film into tanks of cold water, fixer, hot water, developer and then repeating...
20) Transport
Pub. Date
1970.
Language
English
Description
16mm 1.37:1 color sound, 5:43 minutes; camera Sandy D'Annunzio; music Indiran; with Lee Vogt, Amy Greenfield, Chuck Williams, Steven Holly, Joel Polinsky, Don Young, Tom Vint; preserved by Amy Greenfield at WRS Film Lab from camera originals; courtesy of the filmmaker. _Transport_ came out of many influences in the early 1970s: the dead of Vietnam; the poem by my poetry teacher Anne Sexton, _For God While Sleeping_; the post-modern dance experiments...
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